the very best from disco legend patrick adams aka cloud one on double vinyl.

2nd on form & terra , incl patrick lindsey remix

two new killer releases by varg on northern electronics!!

bangin techno vinyl

srvd = patrick mason and rekids boss matt edwards, played by amelie lens at time warp

started out as a reggae, lovers rock band in the late 70’s, the cool notes consolidated their reputation in the 80s, after turning towards more soulful sounds and have signed different hits, all finished straight into the upper parts of the charts. “i wanna dance” and “blown it” released for the sour grape label owned by patrick mulpeter and danny ryan, both former member of the band gold, are two gems inexplicably left in the shadows, but as often happens, later appreciated as essential spins, in the selection of champion djs.

incl. sascha dive & pauli steinbach rmx

limitierte handgestempelte 12 inch edition mit wunderschönem siebdruckverfahren gedruckt.

6 sides of vinyl containing 21 extended 12 inch mixes of essential disco anthems.
housed in a gatefold sleeve with original artwork & pressed on 3x 180g heavyweight black vinyl.
the jacksons / earth, wind & fire / the three degrees / village people / odyssey / patrick juvet / ottawan / eruption / boney m. / tina charles / anita ward / herbie hancock / melba moore

the original motion picture soundtrack from gaspar noé’s movie “climax” on limited double vinyl housed in a gatefold sleeve.

skeleton recordings are pleased to announce the next release by the german duo of dan schwerdel & patrick krause, aka acid lab & scale, making their debut on the label. bringing three seriously heavy tracks which show their diversity and tight production skills. all with that slight dark, eerie feel that you would expect to find released on skeleton.

man band delivers its first various release with a stunning downtempo opener by the enigmatic dj sacom and an ever mind-bending trip by forest drive west, with his second hypnotic remix of elise. more newcomers on the flip include bristol based patrick flint with a celestial workout of swirling percussions, and a massive, dub inspired cut by paris local figure hanah.

jovonn returns to his body ndeep label to release the album timeless, his first since blaque house released on code red back in 2009. with releases on such labels as clone, apollonia and dogmatik the last few years, jovonn set up his body ndeep label in 2017 to release tracks from himself and other like-minded producers. the album focusses on the deeper side of house and jovonns trademark new jersey house sound, with contributions by patrick mangan (violin) on hesperia soul and cassioware on turnin me out.

irenic special returns with noah skelton

new glasgow electro and techno label tremors presents our first vinyl release - aftershocks volume 1, a collection of remixes of tracks from our bandcamp releases. the a1 comes from electro legend dexter, a man who needs no introduction, remixing old boy s tracer. next up is james shinra (analogical force) one of our favourite contemporary electro artists, remixing arctor memory gene. on the b-side we have patrick walker (forward strategy group) remixing arctor s selfish lover into a slamming acid techno banger. rounding it off is relatively unknown hungarian producer david harleydson who has been self-releasing highly impressive electro albums through bandcamp. he has applied his own unique style in a remix of arctor the gulf.

psp-dancer : the name says it all. this song is about electronic music between past and present, hyper funky, a glitter ball full with memories between flared pants and hedonism and yet straight forward for the year 2018. that s no surprise as for decades it would have been hard to imagine the rhine-main house and techno scene without frankfurt bedrocks pauli steinbach, sascha dive and patrick kunkel, not least because of their cocoon affinity. patrick kunkel and pauli steinbach take out the acid disco hammer full with endorphine acceleration towards dance floor. deep vibes recordingsimpresarios sascha dive and pauli steinbach form a disco reverb mix with a house-like depth between wild pitch and balearics, with kinky disco elements shimmering through again and again. try to take it high

repress with new cover print! handcrafted and remastered 2lp edition of move d s seminal masterpiece. originally released on source records in 1994, reissued by ava. records in 2018. all tracks recorded by david moufang at resource studio in 1994, except: -sandman-, recorded at the blue room in 1992, -trist- recorded at future planet in 1994, -seven- recorded at resource studio in 1993. armchair photographed by gabi kaiser, lossen foto heidelberg. arrangement and variations by move d, cebra and env. artwork re-creation by damiano von erckert for ava. records. thanks to juri bader, patrick forgacs, dve, götz gramlich, denise, dan, louis and pete.

180 gram double vinyl in gatefold sleeve.

jamie jones joins forces with new york’s david berrie for an electrifying two track release on hot creations. doctor zouk is the result of a friendship spanning many years, and is set to be unleashed this autumn. title track doctor zouk is a bumpy, chuggy roller with a prominent percussive break and heady tribal undertone. future society uses thumping drum pads over a growling bassline with unmistakable high hats weaved together over futuristic synths. jamie jones is one of the industry’s most in demand and recognised djs. he heads up one of ibiza’s most treasured parties, paradise at dc10, and now takes it to all corners of the globe. his revered hot creations imprint has put out more than one hundred releases as well as playing a major part in launching the careers of patrick topping, richy ahmed and detlef. spending his formative years in new york, sneaking into the city’s diverse and flamboyant nightclubs and heavily influenced by a broad spectrum of genres, it wasn’t long before david berrie took to the turntables. he released on jones’ hottrax label last year and has had a number of releases on nervous and monique sp é ciale. he commands regular slots at bpm festival as well as at the paradise nights.

matt edwards and multifaceted artist patrick mason team up as srvd with debut release entitled elevate dropping on rekids this august. whether as radio slave or his various other monikers, matt edwards is one of electronic musics most consistent and innovative artists. ever since his early reinterpretations of kylie minogue and new order, edwards has continually commanded respect as a producer and in-demand remixer, whilst as a label owner his rekids imprint is undoubtedly one of house and techno’s most influential platforms. meanwhile, patrick mason continues to conquer the fashion world, a devout club kid and gifted creative turning heads as an outstanding art director, illustrator and model, whose extensive artistic talents include a unique and compelling voice destined for dancefloors. srvds story begins when the pair met in panorama bar, which soon led to edwards and mason hanging out at the studio and later evolved into improvised performances in berlins club scene and beyond. elevate perfectly captures the raw spirit and vibe of their live show, with whispering vocals ushering in precision kicks and piercing stabs until masons mesmerising voice comes fully into play. an homage to the new york vogue scene and a huge hit at panorama bar - where the pair have set the house on fire with three unannounced shows so far this year nasty is a syncopated, bass-driven monster of a cut complete with infectious claps and metallic effects.

a collection of classics from the disco masters on vinyl lp.

rocafort records digs into the evasion disques catalogue to bring you the best in funk, soul, psych & folk from the legendary swiss label.

john mayer’s debut album from 2001 back on 180 gram vinyl

when dorian paic, tobi neuman and patrick ense took a lunch break from their studio session they met house legend eric d. clark randomly at the burger joint. after a quick chat they took him over to tobi’s studio and recorded this delicious 12&#8243, for us. einzelkind founded la peña in 2007 as a label for friends to meet up, live, and release the music they love – and here we have the perfect example of such a serendipitous event.

backed up by a juicy mfdp club mix this release gives a nod to the golden era of house music and album cover art.
what ya doin !?

grammy award winner louie vega is known worldwide as one of the finest creators and purveyors of house music, both as an individual artist / producer / dj and as partner with kenny dope in the renowned production team known as masters at work. his multiple musical talents have also brought him much acclaim in the genres of salsa, afro-beat, jazz, hip-hop and soul. last year he reached another career milestone when his album “louie vega starring...xxviii” was nominated at the 2017 grammys for best dance album, which further solidified his position as one of the industry’s premier artist / producers. but not everyone knows about louies deep respect, admiration and knowledge of the disco genre that laid the foundation for so much music that moves crowd on dancefloors and festivals today.

vienna-based producer sam irl popped up on our radar a couple of years ago following stellar releases on jazz & milk, but honestly we should have been paying far closer attention as this guy has been making the best crunchy, mpc-driven jazz-infused house music dating right back to 2006. ep’s for s3a’s sampling as an art and collaborative projects with patrick pulsinger and dusty have won him fans including gilles peterson (leading to a release on brownswood), mr scruff and session victim amongst many others. his live sets have also seen him perform at the hallowed grounds of panorama bar and sonar festival. for his debut ep here on freerange sam has delivered four tracks which perfectly showcase his production skills and knowledge of what makes a dance floor tick, kicking off with title track rain technique. quirky keys and a playful groove help build a warm and charming vibe, light and bouncy yet deep and driving enough to get your dance on to. trust follows with loping, lopsided percussion forming the basis of the groove, sparse rhodes pads punctuating the beat and adding just the right musical element to the mix without cluttering the beats or compromising the sense of space. flipping over we have all thats left which sees sam utilising his trusted tr606 for some lovely snappy snares and sizzling hihats. chiming arpeggios join the repeating chord riff creating another simple yet uplifting and playful mood which cant fail to get under your skin. closing the ep we have a wonky, shuffling house track which once again shows sam proving less is more, sampling his key elements into the mpc and jamming out the arrangement in a live and improvised way which brings a fresh, somewhat naive appeal to the production.

jocelyn brown should need no introduction at this stage, one of the uss most respected vocalists famed for bringing the gospel edge into contemporary r&b and soul music. brown was the voice behind the celebrated disco and boogie outfit inner life, the focus of this stars of salsoul volume. cutting 2 lps for the label in the early 1980s, inner life came strong with club hit after hit, working with the top producers, mixers, arrangers and studios of the day the group were gaining cult status with their records becoming the taste of the dancefloors at the garage, the loft, the warehouse and everywhere and anywhere else in-between! it s no surprise then, that these records are still coveted by music lovers and djs today, classic status bestowed upon this most soulful of catalogues. featured here are those hits, in their full unedited 12inch glory. listen to the classics as nature intended, you won t regret it. a truly essential package for the die-hard disco aficionado or for those who are exploring this most important movement in dance music for the first time. curated with the full input and backing of salsoul records and carefully selected to reflect the truly timeless nature of the music contained within. for listening, for dancing, for turning on a party! remastered by optimum mastering. artwork & design by million dollar disco. fully authorised and approved by salsoul records.

using a modular system comprised of make noise modules (as well as a prophet 5 synthesizer), kaitlyn aurelia smith created abstractions as a live score for the film of the same name by visual artist harry everett smith. comprised of a single track across the records two sides, abstractions presents a unique experimental release within kaitlyns stellar catalog of contemporary electronic music. this make noise records release was digitally mastered by shawn hatfield at audible odditieshttp://www.audibleoddities.com/ pressed to 12inch clear (140g) vinyl and inserted into a black inner dust sleeve and matte jacket featuring artwork by harry everett smith (comprised of film negatives from abstractions, licensed from the harry smith archives), assembled by sean curtis patrick

kingswood drive and accidental return were an early teaser of this new set. displaying their signature analogue sounds and arpeggios, alongside broken beats and soul, you wouldn t be alone in hearing the influences of dam funk, herbie hancock or bugz in the attic coming through on these two. elsewhere more jittery, playful rhythms underpin croydon rooftop café culture. as well as in the calming and ethereal prints on the heath, a subtle tribute to mutual hero prince, who passed away on the unusually prolific day this and two other, currently unreleased, tracks were written and recorded. throughout the ep the duo nod at their london home from the -heath- to kingswood drive and more obviously croydon itself. the sound of south london is threaded throughout this record with pride. even down to the mechanical sunset sound of ep finale thorns, capturing some of the essence of the studio view over london from their high point on the hill in thornton heath. the first ep from albert s favourites co-founders and synth-production duo modified man focused on throwing out heavy editing, recording music with as few processes as possible and grabbing performances as single takes. blending warped cassette recordings that touched upon early jazz-funk/brit-funk influences with the energy of broken beat and experimental electronica, won them support from patrick forge, osunlade, thris tian, yam who? and titeknots to name a few. since that release they premiered new track thorns live on boiler room, going on to deliver a full, three-hour live performance and dj set for the infamous global community. they also provided remixes for dele sosimi, amp fiddler, makadem & behr and hector plimmer, meanwhile, busily preparing a series of four, six-track vinyl eps which will be released over the next 18 months.

debütalbum von cindy lee, dem experimentellen no-wave/blues/trans-pop-projekt des ehemaligen women- und androgynous mind-sängers/gitarristen patrick flegel. die 12 düsteren songs kombinieren anmut, verzerrung und süße zu einem intensiven pop-klassizismus, der stark an eraserhead erinnert.

bawrut has had an amazing couple of years. since kicking our label off back in 2015 with the modern acid classic ciquita (12inches of which will now set you back silly money on discogs), the madrid-based producer has gone from strength to strength. last year saw him tear down sets at sonar and farr festivals, drop a feted new ep on hard fist records, and have his music soundtrack numerous adverts for fabric events. other djs have been quick to show their appreciation, and bawrut’s unique appeal can be seen in how far and wide across the spectrum his music has featured. optimo, avalon emerson, patrick topping, jackmaster, artwork, andrew weatherall and many more have all supported heavily. were proud to kickstart bawrut’s 2018 with 4x4, a brand new ep of typically leftfield bangers. these four tracks come on like a whirlwind journey through a bawrut dj set, with something for every time of the night. ghettoscar fuses african chants with burbling acid, building the kind of goodtime dancefloor warmth bawrut is famed for. more cowbell does exactly what you’d expect, giving djs a glorious, cowbell-powered disco bomb that fuses the spirit of incredible bongo band with classic nyc house. i hear voices is a crazy ride, with an expertly cut up vocal sample repurposed into a weird, descending riff that’s quite unlike anything else out there. throw in bawrut’s trademark kitbag of carnival whistles, rattling latin percussion and a creeping acid line that works itself up into a soul-salving joy and youve got a modern classic on your hands. finally, lead track three sounds is probably bawruts biggest moment to date, a peak time jacking techno monster built from the most minimal of elements - drums, claps, a one note bass squelch and a tom drum gone wild. bawrut takes this tom sound and treats it like a 303, pushing far off the rails, working it up and up, twisting it through pitch and frequency like a man possessed, raising its pressure til it tears off the roof. theres no one else making techno quite like it - and you can expect dancefloors to be going crazy to the mania of three sounds throughout 2018 so there you have it - four more missives from the wizard of madrid. play em loud.

uneven paths: deviant pop from europe, 1980-1991 is the second multiple artist compilation on music from memory and is compiled by record connoisseur raphael top-secret and label man jamie tiller. the compilation brings together twenty one tracks from across the continent, exploring the more unusual and unexpected sides of pop music produced during that period.

the follow up of the acclaimed first volume of this compilation, a real discovery for many djs and music lovers worldwide who didn’t know that much about zouk or diy electronic music of the french west indies. the selectors julien achard and nicolas skliris continue the excavation of french antillas vinyl from the 80s and the 90s and for this second volume, they found some really exciting new references which should be soon classics on the dancefloors.

drec nulleins powerd by scenedrone & axel sohns, georg bigalke, patrick dre, rinox and k1mb0xn4u7.

for the second release on their black series, ravage invited electronic music veterans al matthews and patrick walker to team up under their forward strategy group moniker. the last release of these legends was quite a few years ago, but the wait was worth it. their east port rangers ep kicks-off with nine and one, a hypnotic, heavy-loaded stomper containing some uplifting, loopy vocals. following is the most minimalistic track of the ep, lisp your way, yet it still has a lot of substantial punch and lash to it. the b-side starts off with heavy broken beats, combined with a classic rave sound, taking the listener back to the blistering sound of the nineties. finally, the ep oozes down with the track in abeyance, a haunting, down-tempo track with a melody to send shivers down your spine, which could be deemed a real creeper.

limited backstock on this 1997 techno-classic by voodoo amp aka patrick lindsey!

jasen lovelands prescriptions are strong and may not be suitable for all patients inquiring. these formulations were created in assistance from bmg, silent servant, and a new and improved mix by patrick russell, phd. a full dose of all four medications should not be administered without the help of a certified professional. for more information please feel free to call the acid camp hotline at 1-800-ami-high.

a true holy grail from the cloud one catalog, dont let my rainbow pass me by is the third of a string of titles on golden flamingo produced by the p&p duo of patrick adams and peter brown and featuring vocals from guardian angel singer margot williams. similar to previous cloud ones productions, this record had all the elements of a patrick adams classic, but with vocal arrangements that foreshadowed the work he would do with inner life and jocelyn brown at salsoul. perhaps not so much of a concidence then that margot williams would provide backing vocals on inner lifes second and final album. even though it was originally released in 1981, dont let my rainbow pass me by is still championed by high-profile deejays today. over the years, its been notably sampled in basement jaxxs romeo and covered by todd terje and prins thomas in reinbagan as a dub-disco cut. available for the first time since its original release, our only piece of advise is to don’t let this classic pass you by.

estetika 001 introduces the first release of the new imprint of jason patrick and pat king. the label s objective is to release a signature style of timeless techno. berlin-based artist mekas (originally from buenos aires) delivers the first 3 track record, nodata. a1 starts off the release with lebreton featuring qik. thick kick and bass anchor a beautifully warm hypnotic synth riff that filters meticulously throughout the track working hand in hand with a subtle atmospheric pad and spacious reverb touches to create a uniquely huge engulfing sound. b1 is the second track titled marshfield, a heavy tune for peak time. its kick, toms, and bassline form a rugged groove for its dark synth, which along with the mysterious pad capture the essence of the track while ride cymbals glisten and automate throughout. b2 is the third and final track, nothing, which continues the dark and mysterious vibe of the release. an acidy mid-range synth part works along with an ominous pad and well programmed hi-hats, claps, and rides with just the right reverb treatment to provide space and depth to the track.

for its latest release, weirdest dream has landed on dopeness galore for a supernova of atmospheric sounds called white worms. weirdest dream is the moniker and playground of stockholm-based galactic explorers daniel fagerström & luciano leiva. with a history of releases on rvng and permanent vacation the duo plays around in a constellation of all analog and early digital synthesizers such as the tr-909, waldorf microwave, yamaha dx7, roland juno-60 and akai mpcs. an ambient cloud of sonic surrealism, white worms is a curious exploration of the celestial sphere through echoes of patrick cowley, sensations fix and tangerine dream.

18 extended tracks legendärer disco-hits auf 180 gramm vinyl! enthalten sind original extended 12” mixes von den jacksons, mcfadden & whitehead, boney m., earth, wind & fire und vielen mehr.

rube goldberg series begins. we have selected some of the finest talent from across the globe for our first release.
volume one delivers four unrelenting groovers, individually flavoured, each artist brings something fresh to this overall consistent collection of tracks. intricately complex in their creation, yet ultimately these tracks perform a simple task, much like the machines of the late r. goldberg.

special reissue .. huge all time 80s disco classic !! produced by patrick cowley,

»a brand new me: aretha franklin with the royal philharmonic orchestra« verbindet ihre legendäre stimme aus den berühmtesten songs, die die »queen of soul« für atlantic records aufnahm, mit brandneuen arrangements, die vom royal philharmonic orchestra eingespielt wurden. aretha franklins unverwechselbare stimme wurde mit diesen neuen orchester-arrangements auf »a brand new me« wunderbar verschmolzen. die ebenfalls neu arrangierten und aufgenommenen backing-vocals stammen von grammy-gewinnerin patti austin, the royal philharmonic orchestra nahm seine parts in den londoner abbey road-studios auf.
das ergebnis dieser außergewöhnlichen bearbeitung besteht in einem zeitlosen album, das den soul, den groove und die gospelpower von franklins weltweit verehrter stimme erhält und einmal mehr in einem neuen kontext herausstellt. unter den highlights befinden sich neu imaginierte versionen von klassikern wie den zeitlosen billboard-no.1-hits »respect«, »think«, »don’t play that song (you lied)« und »angel«.
das album wurde von nick patrick und don reedman produziert, die auch für den weltweiten erfolg des albums »if i can dream: elvis presley with the royal philharmonic orchestra« verantwortlich sind, das vor kurzem in vielen ländern die charts toppte und mehr als 1.5 millionen exemplare verkaufte.

invoking the power of a stampeding herd of mythical beasts, the animais soar o alarme 12inch is a carnivalesque dancefloor exploration that highlights the unbridled percussive sound for which ninos du brasil have become known. according to the label: the a side presents the shadowy duos original track a rollicking and propulsive explosion of beats unified by steady stomping bellows of unknown origin. the b side sees the bunker resident dj patrick russell providing the first ever remix of a ninos du brasil track, imbued with the precision, discipline and restraint for which he has become known, making animais soar o alarme seem all the wilder for his skillful steadying hand

the first release of mitten rome is characterized by four different visions of techno tools. supported by: pfirter, mental resonance, benjamin damage, luigi madonna, patrick siech, electric indigo, patrick pulsinger, jc laurent, pascal feos, alessio mereu, krenzlin, keith carnal, kaiser, ricardo garduno, xhin, cari lekebusch, slam, arnaud le texier, luca agnelli

rawax welcomes patrick raddatz, robin scholz and philipp boß r&s-b&s collective to the family! robin scholz already showed us his talent with the debut ep called -retrospective ep- on the rawax 10 inch series (10.5) also on rawax004ltd together with einzelkind as rhythm factory and last but not least with label boss robert drewek as rdrs on housewax (h1004). philip boß is the label owner of high rising -einfach hören- label which entered the record stores some weeks ago. patrick raddatz is one of the old school dj s from frankfurt. active since 2 decades known from the famous x-fade nights on radio x and of course of his -everglade reshape- on weave records which was 2005 a very big club hit all over the world. this new production is a fantastic demonstration of advanced space electro & ambient - worth to check!

3 texts about that record from daft punk, the pilotwings & jorge socarrás (friend and musical partner of patrick cowley) have been written. (see below) andrei orlov pushes alive sounds from modern electronica spectrum through avantgarde, krautrock or ambient. it is totally new even if you would quote tangerine dream or john carpenter to assimilate ... it includes a track reinterpretation by le chocolat noir. based in moscow (russia), andrei orlov pushes alive sounds from modern electronica spectrum through avantgarde, krautrock or ambient. it is totally new even if you would quote tangerine dream or john carpenter to assimilate ... this space world full of lights crossing the city late at night, boarding with them all kind of styles ... cosmic disco,psychedelic pop, synth music. linking past to modernity is something conscient in andrei s sound, permitting him to play live at local places involved into technological process where conferences also take place, at the 2016 synthposium festival for example.